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Iannis Xenakis
Iannis Xenakis (Greek: Γιάννης (Ιάννης) Ξενάκης (:ˈʝanis kseˈnakis); 29 May 1922 – 4 February 2001) was a Greek composer, music theorist, and architect-engineer. After 1947, he fled Greece, becoming a naturalized citizen of France. He is commonly recognized as one of the most important post-war avant-garde composers.〔Hoffmann, Grove: "() belongs to the pioneering generation of composers who revolutionized 20th-century music after World War II."〕〔MSN Encarta encyclopedia, "Iannis Xenakis (Ιάννης Ξενάκης) (May 29, 1922February 4, 2001) was a Greek composer and one of the most important modernist composers of the 20th century" (). (Archived ) 31 October 2009.〕 Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances.
Among his most important works are ''Metastaseis'' (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as ''Psappha'' (1975) and ''Pléïades'' (1979); compositions that introduced spatialization by dispersing musicians among the audience, such as ''Terretektorh'' (1966); electronic works created using Xenakis's UPIC system; and the massive multimedia performances Xenakis called ''polytopes''. Among the numerous theoretical writings he authored, the book ''Formalized Music: Thought and Mathematics in Composition'' (French edition 1963, English translation 1971) is regarded as one of his most important. As an architect, Xenakis is primarily known for his early work under Le Corbusier: the Sainte Marie de La Tourette, on which the two architects collaborated, and the Philips Pavilion at Expo 58, which Xenakis designed by himself.
== Life ==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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